Two platforms over, a train clanked and hissed, waiting as a few stragglers hurried alongside it. A conductor stood outside the door, ushering them along. The man glanced at Drake and Sully. Once upon a time he would have minded his own businessâNew York had been that kind of townâbut after 9/11 all that had changed. Sully knew it, too, because he stopped at the crime scene tape, making no move to go beyond it. They were suspicious enough just being down here without any obvious reason. Drake thought maybe the conductor would think they were plainclothes detectives, but then he realized they were probably underdressed for that. And if he had caught a glimpse of the guayabera under Sullyâs bomber jacket, the man would know right off the bat they werenât cops. Most police kept their quirks on the inside.
Standing by the police tape, Sully withdrew a cigar from inside his jacket pocket. He wasnât much for rules, but he didnât light it, just stuck it between his lips and rolled it around in his teeth for a minute, thinking. Drake had never known him to be a man prone to rumination.
âYouâre starting to freak me out a little, Sully. How about you start by telling me who diedâ
Sully stared at a spot beyond the police tape for a moment longer, then took the cigar from his mouth and turned to Drake.
âThis platformâs been closed since last night. A train came in from Connecticutâplenty of stops along the wayâand when it left, there was an old steamer trunk on the platform. Mostly people were getting on, leaving the city, but there were some arriving, too. One of the conductors remembered the trunk and that two men were sitting near it. He assumed they had carried it on but didnât look too closely at them. Dark coats; thatâs all he remembers.â
Sully shook his head, eyes narrowed in frustration. âThink about that, Nate. Anything in the world could have been in that trunk. The whole thing could have been full of Semtex or something. Can you imagine explosives in that kind of volume detonating under the city Weâre so obsessed with planes, but nobodyâs paying attention to âŚâ
He trailed off, taking a breath. He looked more angry than grieving, but Drake knew Sully well enough to see that he was both.
âSo, this trunk wasnât filled with explosivesâ Drake ventured.
Sully shot him a hard look. âI was making a point. But no, it wasnât. Place reacted like it couldâve been, though. Hundreds of trains were prevented from coming in, thousands of people evacuated. Transportation Authority brought in counterterrorism agents, and NYPD had a bomb squad down here. Bomb-sniffing dogs didnât get a read on it, but they were still treating it like it was going to explode. A couple of the guys who wrangle those dogsâone of them used to train them to sniff for corpses, and he knows the smell pretty well. He said he thought there was a body in the trunk. Turned out he was right.â
Drake put a hand on his shoulder, hating to see his friend in pain. âSullyââ
âIt was Luka,â Sully said, his jaw working, eyes flashing with anger. âBut not all of him, Nate. No arms and no legs. Just his torso. Theyâd cut his head off, too, but at least that was in the trunk. Whoever killed him, they didnât amputate his limbs to make it harder to ID him or they wouldnât have put hisââ
Sully faltered. Sneering, he jammed the cigar back into his mouth and stared again at the area beyond the yellow tape. The train two platforms away pulled out, clanking loudly, and Drake wondered if the conductor was still watching them. He wondered why the cops or the FBI werenât on top of them already, wondering what they were doing there. If the trunk had been filled with explosives instead of Sullyâs dead friend, they would never have been able to come down here without being stopped. But murder didnât get the same attention.
In his life, Luka Hzujak had been an archaeologist, a college professor, and a collector of antiquities. He had also been one of Victor Sullivanâs oldest and dearest friends, a man who saw the modern understanding of history as just as much a mystery as the unfolding of tomorrow. Luka was known for pissing off his colleagues and employers because he refused to settle for the currently accepted versions of historical episodes, particularly from ancient times. In recent years he had established himself as a successful author of controversial histories written in language accessible to the general public. Drake had met Luka perhaps a dozen times and had liked him a great deal. He could picture the manâs mischievous face and the way heâd always stroked his goatee like some cartoon devil. Luka had never condemned Sully for the work he and Drake did, mostly because he thought the most significant evidence available to challenge historiansâ version of the past came from tomb raiders and treasure hunters.
âIâm sorry, Sully,â Drake said. âSomething like thatâit shouldnât happen to anyone, never mind someone like Luka. Have the cops turned up anythingâ
Drake didnât bother asking where Sully had gotten his information about the discovery of the body. It seemed clear he had a source in the NYPD, which really came as no surprise. Sully seemed to have a drinking buddy or a gambling compadre just about everywhere. Six years past, they had spent a few rainy weeks in Bhutan searching for ancient demon and animal masks. The first day, they had gone to the marketplace to find something to keep the rain off them, and a man selling goat cheese and wine had clapped Sully on the back and hugged him like a long-lost brother. When the guy had stepped back, Drake had seen the wary suspicion in the merchantâs eyes. He and Sully were friends, but they didnât trust each other. That seemed to be a common dynamic, and it extended from Bhutan to the United States to Easter Island. Drake trusted Sully, at least most days, but one of the first things the man had taught him was that a certain amount of mistrust was healthy and would keep him alive.
But Sullyâs NYPD contact hadnât been much help.
âTheyâve got squat,â Sully said.
Drake frowned, turning to look up at the flickering lights. âSeriously Itâs Grand Central. Theyâve got to have cameras everywhere.â
â âCourse they do. Doesnât mean they all work. When the budgetâs tight, choices have to be made. Some things fall by the wayside,â Sully said, turning to look at him again. âBut weâve got something the cops donât.â
âWhatâs thatâ
The look in Sullyâs eyes was a mixture of pain and pride. âWe have Jada.â
3
Drake and Sully took the subway train that shuttled passengers between Grand Central and Times Square, then boarded another subway car, this one headed north. They sat quietly together, Sully warily watching other passengers. The lights flickered on and off, making strange scars out of the scratches some vandals had put on the windows. The seat beneath Drake had been sliced open, but that didnât bother him as much as the smell that permeated the air, trace aromas of sweat and urine, like the ghost of someone elseâs stink. The car rattled on the tracks, rocking back and forth in a lulling motion that might have put Drake to sleep on a day without murder in it.
Sully glanced around, more paranoid than Drake had ever seen him.
âWhatâs going on, Sullyâ Drake said, voice low. He glanced around to see if anyone was paying attention to them, his friendâs paranoia contagious. But it was the New York subway; as a rule, people tended to pretend they were the only ones on the train. âHow come youâve got Jada hidden awayâ
âIt wasnât my idea,â Sully muttered, glancing sharply at Drake. âShe wonât talk to the cops âcause sheâs afraid of ending up just as dead as her father.â
âShe knows who did itâ Drake asked, intrigued.
âNo. But she might know why. Now shut your trap. Weâll be there soon enough.â
Drake didnât argue. He could see Lukaâs murder had Sully spooked. If he wanted to be overcautious because he feared Jada might also be in danger, Drake wouldnât blame him. Sully was the girlâs godfather, and he took the role seriously. With Luka dead, he would do whatever he had to in order to make sure the girl was taken care of.
Though she wasnât really a girl anymore, was she The last time Drake had seen Jadranka Hzujak, she had been eleven or twelve years old. In the intervening years, he had been vaguely aware that the girl had been growing up, but it had been happening so far off his radar that it was difficult to imagine Jada as an adult. Five or six years ago, he and Sully had gotten together with Luka and had dinner in a little dive in Soho that looked like it hadnât changed in decades. Over dinner, Luka had mentioned that Jada had been enjoying college, which meant she had to be in her mid-twenties now. But he couldnât shake the image of the little girl sheâd been out of his mind.
As the train pulled into the 79th Street station, Sully tapped Drake on the knee and got up, slipping through the standing passengers. Drake followed, smiling as he made his way around a prodigiously pregnant young woman.
On the platform, Sully leaned up against the side of a newsstand and waited for the train to close its doors and pull away. Drake thought he was being overly cautious, but he had altered his travel plans and come to New York and been in motion since he had gotten off the plane at JFK. A couple of minutes just standing still was welcome. Besides, he knew this game. Sully wanted to wait for the platform to clear to make it more difficult for anyone who might be trying to follow them to remain inconspicuous.
When the disgorged passengers had scattered and the train was gone, Sully fell into step beside Drake and the two of them went up the stairs in silence. Outside, the chilly autumn breeze swept along the sidewalk and the afternoon shadows had grown longer. Sully turned uptown, and Drake waited patiently until they were half a block from the subway station entrance before speaking again.
âCome on, Sully,â Drake said. âPatience is a virtue, but itâs never been one of mine. You dragged me halfway across the countryââ
âYou were in Chicago. Thatâs not even close to halfway.â
Drake frowned. âI was never good at fractions. And thatâs not the point. Luka is dead, and from the way youâre acting, itâs obvious you think whoever killed him isnât going to stop there. If youâre gonna drag me into a situation where I might end up in a trunk with some of my pieces missing, Iâd at least like to know what Iâm getting myself into.â
Sully shot him a hard look. âSo would I.â
He let out a long breath, relenting, and glanced around to make sure no one was paying them any extra attention, then shoved his hands in his pockets and kept his gaze forward, talking quietly.
âHereâs the lowdown,â Sully began. âMaybe you remember that Jadaâs mother died when she was a kid.â
âBreast cancer, wasnât itâ Drake asked.
âLungs,â Sully corrected. âLuka remarried a couple of years back, a woman named Olivia. Jada called her the âwicked stepmother.â Olivia Hzujak works for a company called Phoenix Innovations. CEO is a guy called Tyr HenriksenâNorwegian, I think. Phoenix is mainly a weapons manufacturer, with business partners around the world, but they have a research division that keeps things pretty hush-hush.â
âWhy does the name ring a bellâ Drake asked, wary as a car slowed in his peripheral vision. It turned out to be a taxi letting off a passenger, but Sully had him jumping at shadows. âTyr Henriksen, not the corporation.â
âThought youâd catch that,â Sully replied. âHenriksenâs an antiquities collector, and he doesnât mind acquiring things in a shady fashion if the aboveboard approach doesnât work.â
âHeâll hire smugglers and thieves if he has to,â Drake clarified.
Sully arched an eyebrow. âI know. Can you imagine Rogues and villains.â
Drake said nothing. Sully was joking, but Drake didnât think it was funny. He bent the rules and sometimes he broke them, and his line of work put him into contact with some pretty unsavory characters, but he didnât consider himself one of them.
âThree months ago, Henriksen reached out to Luka through Olivia, trying to get him involved in a private project,â Sully went on. âLuka had a bad feeling about Henriksenâs proposal, I guess. He did some poking, started doing the research Henriksen wanted, and stumbled across something that worried him enough that he quit. Only he didnât really quit. He kept working on the project, but for himself instead of for Tyr Henriksen.â
âThis is all pretty vague.â
Theyâd walked a couple of blocks and now came to a stop at the corner of 81st Street and Broadway, waiting for the light to change. There was a Starbucks at the southeast corner of the intersection and Drake found himself craving coffee, but he kept his focus on Sully and the people around them. A young professional woman, he guessed Indian or Pakistani, walked a tiny mincing dog. Two men crossed at the light, carrying Starbucks cups and laughing together. Drake didnât see any threat, but he felt it, though he figured that was mostly the picture the day had painted thus far.
âAt first, all Luka would tell Jada was that Henriksen had wanted him to solve a mystery for him and that there was treasure at the heart of it. Something priceless,â Sully said. âSomethingââ
âWorth killing for,â Drake finished.
âLooks that way, doesnât itâ Sully asked.
The light changed, and they continued north along Broadway.
âSo Luka wanted the treasure for himself,â Drake said.
âIt doesnât feel right to me. Luka wouldnât have put himself on the line like that. He loved his work and he loved his daughter, and I always had the impression he was content with that.â
âNo offense, Sully, but you saw Luka once every couple of years. People change. And even if Luka didnât change, you canât climb inside someoneâs head and see the world the way they see it.â